Jewish Influence

= Jewish Influence =

== Introduction ==

The topic of Jewish influence has long been a source of both pride and controversy. Jews have been disproportionately represented in many sectors of Western life—finance, media, law, academia, and cultural production. Some interpret this as evidence of a strong intellectual and professional tradition; others argue it reflects consolidated power that is rarely subject to open criticism. This page explores the scope and origins of Jewish overrepresentation in elite domains, investigates claims around influence in pornography, media ownership, and politics, and discusses the boundary between factual analysis and taboo, especially concerning censorship and social enforcement.

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== Overrepresentation in Elite Sectors ==

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Across many professional spheres, Jewish individuals are statistically overrepresented compared to their population size. In the United States, where Jews make up approximately 2% of the population, they represent:

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* Roughly 20–30% of Ivy League university faculties and students

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* Over 30% of Nobel Prize laureates born in the U.S.

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* A significant share of senior partners in major Wall Street firms (e.g., Goldman Sachs, formerly Lehman Brothers)

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* Senior leadership positions in major media conglomerates (e.g., CBS, NBC, Warner Bros.)

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* Executive roles in influential tech companies (e.g., Google co-founder Sergey Brin, Facebook COO Sheryl Sandberg)

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* These statistics are factual and often celebrated within Jewish communities as signs of success, resilience, and a deep cultural emphasis on education and professional achievement.

== Influence in Pornography: Claims and Origins ==

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A particularly controversial area of discourse is the claim of Jewish dominance in the pornography industry. This idea is often traced to a provocative essay by Jewish academic Nathan Abrams, titled “Triple-Exthnics” (2004), which states:

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>A story little told is that of Jews in Hollywoodʼs seedier cousin, the adult film industry.

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>Perhaps weʼd prefer to pretend that the ʻtriple-exthnicsʼ didnʼt exist, but thereʼs no

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>getting away from the fact that secular Jews have played (and still continue to play) a

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>disproportionate role throughout the adult film industry in America. Jewish involvement

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>in pornography has a long history in the United States, as Jews have helped to

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>transform a fringe subculture into what has become a primary constituent of Americana.

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[[~[~[Jewish Quarterly ~>~>url:https://www.tandfonline.com/journals/rjeq20~]~]Volume 51, 2004 - ~[~[Issue 4~>~>url:https://www.tandfonline.com/toc/rjeq20/51/4~]~]tion>>image:0449010x.2004.10706874.fp.png||alt="Triple Exthnics" data-xwiki-image-style="thumbnail-clickable" data-xwiki-image-style-alignment="end" width="200"]]

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Abrams argues that Jewish involvement in the development of American pornography, especially in the mid-20th century, was not incidental but ideologically motivated—an expression of rebellion against Christian cultural norms and a means of "ethnic revenge" against perceived repression. This can be explicitly seen in the aforementioned [[Triple-Exthnics>>attach:111175827-Triple-Exthnics-Nathan-Abrams-on-Jews-in-the-American-Porn-Industry.pdf]]. We have made available the full article, which was published in [[Jewish Quarterly,>>https://en.wikipedia.org/wiki/The_Jewish_Quarterly]] so this isn't some inferred conspiracy, this is straight from Jewish voices themselves. First lets go into who some of the heavy hitters were.

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* [[Reuben Sturman:>>https://en.wikipedia.org/wiki/Reuben_Sturman]] The ʻWalt Disney of Pornʼ, he controlled most of the pornography in circulation. Was said he WAS the industry.

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* Steven Hirsch: The 'Donald Trump of Porn', runs [[Vivid Entertainment>>https://en.wikipedia.org/wiki/Vivid_Entertainment]]

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* Greg Lansky: Founder of [[Vixen Entertainment>>https://en.wikipedia.org/wiki/Vixen_Media_Group]], which owns Blacked, the most popular interracial studio in existence. (Greg is not mentioned in the article but worth including) {{footnote}}Greg Lansky, Available at: https://en.wikipedia.org/wiki/Greg_Lansky{{/footnote}}

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* Most of the male actors were Jewish, including Ron Jeremy and Seymore Butts {{footnote}}Michael Jones in the magazine Culture Wars (May 2003) https://culturewars.com/volumes-21-30?category=2003+-+Vol.+22{{/footnote}}

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* Most of the female talent was Roman Catholic White girls.{{footnote}} Michael Jones in the magazine Culture Wars (May 2003) https://culturewars.com/volumes-21-30?category=2003+-+Vol.+22{{/footnote}}

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* Publications also had Jewish involvement, for example [[Al Goldstein>>https://en.wikipedia.org/wiki/Al_Goldstein]], owner of [[SCREW>>https://en.wikipedia.org/wiki/Screw_(magazine)#cite_note-Jewniverse-1]] magazine, known for its raunchy, obnoxious, usually disgusting and sometimes political content. {{footnote}}Davis, Marc (November 18, 2013). "The Screw-y, Filthy World of Al Goldstein". Jewniverse. Retrieved November 20, 2014. https://www.jta.org/jewniverse/2013/the-screw-y-filthy-world-of-al-goldstein{{/footnote}}

Some of the more interesting quotes are as follow:

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>Very few, if any, porn films have overtly Jewish themes.... Indeed, according to an editorial on the World Union of Jewish Students website, "there are thousands of people searching for Jewish porn. After things like Jewish

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>calendar, Jewish singles, Jewish dating, and Jewish festivals comes ʻJewish pornʼ in the

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>list of top search keywords that GoTo.com provide".

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Considering the demand for such productions, it seems an odd choice for the entire industry to avoid producing practically any of it at all. Subsequent quotes shed possible light on the reasoning however.

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>Is there a deeper reason, beyond the mere financial, as to why Jews in particular have

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>become involved in porn? There is surely an element of rebellion in Jewish X-rated

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>involvement. Its very taboo and forbidden nature serves to make it attractive. As I

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>written in these pages before, treyf signifies ʻthe whole world of forbidden sexuality, the

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>sexuality of the goyim, and there all the delights are imagined to lie . . .ʼ {{footnote}}Reel Kashrut: Jewish food in film, JQ 189 [Spring 2003]). https://www.researchgate.net/publication/261694106_REEL_KASHRUT{{/footnote}}

It continues:

>According to one anonymous industry insider quoted by E. Michael Jones in the

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>magazine Culture Wars (May 2003), ʻthe leading male performers through the 1980s

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>came from secular Jewish upbringings and the females from Roman Catholic day

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>schoolsʼ. The standard porn scenario became as a result a Jewish fantasy of

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>schtupping the Catholic shiksa.

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And probably the most infamous of the quotes is contained here as well:

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>Extending the subversive thesis, Jewish involvement in the X-rated industry can be seen as a proverbial two ﬁngers to the entire WASP establishment in America. Some porn stars viewed themselves as frontline ﬁghters in the spiritual battle between

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>Christian America and secular humanism. According to Ford, Jewish X-rated actors often brag about their ʻjoy in being anarchic, sexual gadﬂies to the puritanical beastʼ. Jewish involvement in porn, by this argument, is the result of an atavistic hatred of Christian authority: they are trying to weaken the dominant culture in America by moral subversion. Astyr remembers having ʻto run or ﬁght for it in grammar school because I was a Jew. It could very well be that part of my porn career is an “up yours” to these peopleʼ. Al Goldstein, the publisher of Screw, said (on lukeford.net), ʻThe only reason that Jews are in pornography is that we think that Christ sucks. Catholicism sucks. We donʼt believe in authoritarianism.ʼ Pornography thus becomes a way of deﬁling Christian culture and, as it penetrates to the very heart of the American mainstream (and is no doubt consumed by those very same WASPs), its subversive character becomes more charged. Porn is no longer of the ʻwhat the Butler sawʼ voyeuristic type; instead, it is driven to new extremes of portrayal that stretch the boundaries of the porn aesthetic. As new sexual positions are portrayed, the desire to shock (as well as entertain) seems clear.

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Mainstream academic responses tend to downplay Jewish identity as a relevant factor. Still, even a brief examination of historical figures in the industry—such as Reuben Sturman (dubbed “the Walt Disney of porn”) or later digital-era producers—shows a disproportionate Jewish presence, similar to that seen in other media sectors. The issue becomes less about the fact of involvement and more about whether discussing it constitutes bigotry. The hypocrisy in it's discussion is clearly evident here, where jews openly celebrate their subversion of Western society whilst condemning us for daring to speak on our own destruction. It doesn't stop at pornography, as the very next line joyfully details the ways that [[jews have been at the forefront of radical movements>>doc:.https\:www\.thewhitearchive\.orgbinviewMain%20CategoriesJewsInvolvement%20in%20antiwhite%20Movements.WebHome]] that knowingly subverted traditional White society. The notion that White Americans voluntarily and against all basic human instinct, actively pursued our own ethnic suicide has always been a preposterous notion. Lured into such destructive movements through indoctrination, yes, but not actively created.

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>It is a case of the traditional revolutionary/radical drive of immigrant Jews in America being channelled into sexual rather than leftist politics. Just as Jews have been disproportionately represented in radical movements over the years, so they are also disproportionately represented in the porn industry. Jews in America have been sexual revolutionaries. A large amount of the material on sexual liberation was written by Jews.

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>Those at the forefront of the movement which forced America to adopt a more liberal view of sex were Jewish. Jews were also at the vanguard of the sexual revolution of the 1960s. Wilhelm Reich, Herbert Marcuse and Paul Goodman replaced Marx, Trotsky and Lenin as required revolutionary reading. Reichʼs central preoccupations were work, love

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>and sex, while Marcuse prophesied that a socialist utopia would free individuals to achieve sexual satisfaction. Goodman wrote of the ʻbeautiful cultural consequencesʼthat would follow from legalizing pornography: it would ʻennoble all our artʼ and ʻhumanize sexualityʼ. Pacheco was one Jewish porn star who read Reichʼs intellectual marriage of Freud and Marx (lukeford.net):

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As part of the “Taboo Talks” series presented by the San Diego Center for Jewish Culture at the Lawrence Family Jewish Community Center in San Diego on May 8, 2013, Mike Kulich, the late jewish owner of Monarchy Distributors, one of the largest pornography companies in America, candidly revealed that Jews do, in fact, control and dominate every aspect of the pornography industry:

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{{expandable summary="Mike Kulich on Jewish Involvement in porn"}}

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>Kulich stated: “Jews in the adult industry, there’s a lot of them….The adult industry was pretty much founded by the Jews. Basically, in the early nineteen hundreds, the German Jewish immigrants came in, and when they were trying to get into different industries, there was a lot of antisemitism where they couldn’t get into normalized work….so they gravitated toward the porn industry because it’s kind of the seedier cousin of the Hollywood industry which had already been controlled by the Jews. Basically, they pretty much took it over. If you look at the big stars… So basically back in the 1960s, 70s, it was founded by people like Dan [unintelligible], and then later in the 80s, The Godfather of the modern day porn industry, his name is Reuben Sturman, who was actually an Orthodox Jew who owned over 200 bookstores all around the country. He’s actually my godfather, which is kind of weird. So Reuben Sturman, what the Jews did pretty much was they revolutionized the adult industry and made it their own. So there was no space for antisemitism. And they basically controlled everything. So back in the 80s, the only way to get pornography was to go through someone like Reuben Sturman, and he controlled all of his stores and all the stores that he didn’t own, they actually had to pay him a tax to carry his product, and he was the only place to get product from, peep shows from. And later what the Jews did they started the manufacturing end of the business. There were a lot of Italians that were coming into the business, but what they [the Jews] did was they created the manufacturing side which is the replication of printing because back in the day if you wanted to make a VHS or Beta tape or whatever, you couldn’t go down to Kinkos or whatever or any mainstream printer. It would be like, I want to print “Gang Bang My Mom Number Three”. So what they did was they created all these companies that manufactured DVDs and VHS and Beta and printing and all the companies pretty much had to go through the Jews. So Reuben Sturman eventually he died in prison….they tried to get him for obscenity back in the ‘80s, which was a big thing, and there actually still is an obscenity risk today. But he eventually died in prison because of tax evasion, because didn’t want to pay taxes… Back in the ‘70s, the majority of the male porn performers were jewish, and the majority of the female performers were Roman Catholic. And if you look at the names of the classic porn stars, you got Ron Jeremy, which isn’t really jewish [sounding], but you have Hershel Savage….It’s kind of funny because those guys came into the industry, and I actually asked a couple of them, cause I asked Ron Jeremy, “Why did you guys decide to go into the porn industry? What was it that drew you in besides the obvious?” He was like “I got to fuckk Roman Catholic chicks”….and fulfill every fantasy of every jewish boy has ever had. So I think the jewish performers, they’ve always been really prevalent in the industry, and even now Ron Jeremy is still one of the most well known performers….Joanna Angel…Daphne Rosen…there’s a bunch of them. And for the most part, the business side is still controlled by Jews. Steve Hersch, who runs Vivid. Steve Orenstein, who runs Wicked. You have me who runs the biggest porn company [Monarch] in the world. Second biggest. But for the most part, the business owners are pretty much Jewish or have Jewish ties, or at some point worked for a Jew in the business to get their start.”

== ==

== Jewish figures were at the forefront of normalizing interracial pornography ==

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The following was originally published by G.D. Eric, Traditional Youth. I have added additional sources and information where I found applicable, as well as removing redundant parts covered earlier in this expose.

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IN FEBRUARY 2013, the Jew gossip merchant Harvey Levin led a [[“Crusade For Racial Equality”>>https://web.archive.org/web/20150225054648/https://www.youtube.com/watch?v=B_OdE-LZbS0]] after his program, TMZ, reported there was a white porn star who refused to do interracial porn. The “Crusade” was composed of the Jew Levin dispatching his minions to go around agitating black porn-addicts and tapping into the tribe’s mass media network to browbeat this woman into submission. (ILLUSTRATION: Steven Hirsch, a Jew, is the co-chairman of Vivid Entertainment, the largest producer of pornography in the United States)

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[[image:1750769903527-708.png||data-xwiki-image-style="thumbnail-clickable" width="200"]][[image:1750769871710-194.png||data-xwiki-image-style="thumbnail-clickable" width="200"]]

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Alexis Texas, the woman at the center of this artificially created controversy, stated that she refused to do pornography with black men because it would alienate her white audience, and thus make her “product” less profitable. Her explanation was that this was not a moral or racial decision, but a shrewd business one (the only value system accepted as legitimate in America) {{footnote}}TMZ Alexis Texas Inspires Crusade for Racial Equality ... in Porn https://www.tmz.com/2013/02/15/porn-star-alexis-texas-interracial-tmz-tv/{{/footnote}}

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**Interracial Porn Isn’t Profitable**

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I looked at a list of the [[50 best selling pornographic films of all time>>https://web.archive.org/web/20250124204950/http://www.die-screaming.com/25-best-selling-porn-movies/]] and not a single one featured interracial (describes black men and white women in the industry) scenes. In fact, the most popular female porn stars, featured in most of these best selling smut films: Jenna Jameson, Tera Patrick, Jill Kelly, Asia Carrera, Stormy Daniels and Jesse Jane, have never done a single interracial scene in their entire careers. I cross-referenced this to control for the age of internet porn, but found the same results. PornMD is a data collection project that has gathered the 10 most popular search terms on pornographic websites from all around the world, and “interracial” was not in the top 10 anywhere on the planet.

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In fact, the #1 search term for most was for their own ethnicity.

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In an all-encompassing study of pornography that used information collected from 10,000 participants, it was found that [[only 53% of female porn stars ever do interracial scenes>>url:http://jonmillward.com/blog/studies/deep-inside-a-study-of-10000-porn-stars/]]. The researcher also made sure to report that most of those who do participate in porn with black men do it “when the time is right”, or in non-PC English, they do it as a last resort when they start getting desperate for work. To make an analogy, it would be like Nicolas Cage doing an Olive Garden commercial because he’s behind on his credit card debt: the lowest of the low amongst the lowest of the low. I was unable to update this number in 2025.

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Agents charge premiums to use their clients in interracial porn (since it often sinks their careers due to white male boycott), yet the films do not sell as well as non-interracial porn. This is a terrible business proposition in other words that only large companies able to off-set losses can afford.

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**Interracial Porn Is Political**

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So if the shekels are modest, at best, why is interracial porn one of the most widely produced kinds of filth? To understand, let’s start with who is pedaling it.

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Looking at the top pornographic booking agencies, I was able to find a very interesting trend. Granted, all people who partake in this trade are some breed of scum, but there is a noteworthy contrast between the behavior of Jewish (motivated by both profit and political agenda) and Gentile (motivated solely by money) porn agents. LA Direct Models, one of the few “talent” managers owned by a Gentile (Derek Hays, a retired English male porn star), only offers 20% of its women for interracial scenes, while Spiegler Girls, owned by Mark Spiegler AKA Shylock ([[how he signs his business cards>>url:http://www.lamag.com/longform/the-teenager-the-porn-star/]]) [[demands that 80% of his clients participate in interracial porn>>url:http://www.businessinsider.com/interracial-sex-is-still-taboo-in-porn-2013-3]].{{footnote}}The Teenager & the Porn Star

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Dave GardettaNov 1, 2006 https://lamag.com/news/the-teenager-the-porn-star{{/footnote}}

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Vivid Entertainment, which is by far the dominant force in the world of pornography, has used 80% of its “actresses” in interracial scenes and is known for churning this stuff out. Vivid was founded and is chaired by the Jew Steven Hirsch and his wife Marci Hirsch.{{footnote}} Vivid Entertainment: https://en.wikipedia.org/wiki/Vivid_Entertainment{{/footnote}} There is no real explanation for this substantial inversion other than the fact that Jewish-owned companies go out of their way to promote this kind of pornography. The tactic is to build themselves up with intra-racial pornography, and then once they dominate the market, promote the more perverse and less popular varieties.

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[[According to Shylock>>url:http://www.businessinsider.com/interracial-sex-is-still-taboo-in-porn-2013-3]] in an interview with Business Insider: “Some agents will charge a premium for girls who do interracial. But we don’t do that: it’s the same rate for non-interracial.”

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Shylock goes on to cite Sasha Grey as an exception that disproves the rule regarding the career suicide of making porn with negroes, since she started off doing interracial porn and her career took off. But Grey’s fame was not organic, it was created from scratch by moguls at the top. Adult Video News (AVN), a powerful industry trade journal founded by the Jews Paul Fishbein, Irv Slifkin, and Barry Rosenblatt in the 1980’s,{{footnote}} AVN https://en.wikipedia.org/wiki/AVN_(magazine){{/footnote}} helped put Grey on the map by awarding her with the title of “Performer of the Year” in 2008–a year in which she starred in an enormous amount of interracial porn movies.

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Grey was the youngest person (20 years old) to ever win the “prestigious” award, and while she had been in the industry for barely two years, her enthusiastic race-mixing paid off and Jews eventually rewarded her with a laughable Hollywood career. Parallel to her in AVN “achievement” is the equally famous black male Lexington Steele, who won AVN’s “Performer of the Year” numerous times (virtually unheard of for a male porn star) and has enjoyed cameos (read: promotion) in non-pornography such as (Jew) Jenji Kohan’s Showtime series Weeds. Lexington Steele’s fame is smoke and mirrors to compel women ambivalent about making interracial porn to piggyback off his fame when their job offers start drying up.

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This dynamic can go in reverse as well, or at least they try to will it. By 2013, it became obvious that Miley Cyrus, once a wholesome child star that a whole generation of kids grew up with, was willing to do anything for publicity. Her infamous antics have gotten her lots of promotion from the Jewish media who reward her by artificially lengthening her career (similar to retired supermodel Heidi Klum getting her own TV show after she got with Seal), and like sharks who smell blood, Jews saw an opportunity to exploit her weakness.

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A porn company called GameLink, whose founder, CEO, and President is an ardent Zionist and Israeli-“American” dual citizen named Ilan Bunimovitz,{{footnote}}The Erotic Engine Pg 129 https://research-solution.com/uplode/books/book-63435.pdf?utm_source=chatgpt.com {{/footnote}} [[sent Miley Cyrus a letter>>url:http://www.tmz.com/2013/10/10/porn-company-gamelink-miley-cyrus-porn-director-offer-million/]] shortly after her “Wrecking Ball” performance. The inquiry offered her $1 million dollars to star in an interracial pornography scene. A GameLink representative expounded on the company motives behind this offer:{{footnote}} https://www.tmz.com/2013/10/10/porn-company-gamelink-miley-cyrus-porn-director-offer-million/{{/footnote}}

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“I’d love to see her with Mandingo doing an interracial scene. Now that would really break the daddy’s girl image and burn through the tabloids.”

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Typical, the Zionist Jew Ilan Bunimovitz, who is married to a hideous kinky haired Jew broad (look him up on Facebook), has a seemingly “normal” bat-faced family and spends half of his year in Israel, is very dedicated to promoting interracial porn to Gentiles and exploiting other people’s women for his sick ambitions. On the GameLink website, where interracial porn is aggressively marketed, it states the following:

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“Although the 20th century was a time of turbulent and rapid change in race relations, mostly for the better, interracial sex is still touted as one of the great taboos. “Interracial” in the world of adult entertainment has come to connote, almost exclusively, relationships or sex between whites and blacks”

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This fluffy talk purposely omits that interracial porn is universally considered to be one of the most degrading varieties. In fact, the “genre” has even prompted left-wing blacks to criticize it, erroneously blaming white men instead of the real culprit. This type of porn, they argue, follows [[3-4 racially charged templates>>url:https://knowledgeequalsblackpower.tumblr.com/post/91568697158/an-essay-on-the-fetishization-of-black-men-in]]: the white woman always has blonde hair, a white husband watches his wife have intercourse with blacks, multiple blacks “gangbang” one white woman, and the blacks are instructed by Jewish directors to use vulgar anti-white language while they do it.

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It should be noted that one pioneer of interracial pornography is Jewish, Nina Hartley. There are times where they blaze the trail, but its usually just an initial step until they can succeed in normalizing perversion. After that, they create a system of incentives to entice gentiles into the field. Think about it, why is Kim Kardashian always in the spotlight? The only thing she has ever done is make a porno with Ray J.

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**Jewish Genocidal Message**

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Jews have been identified time and time again as the force behind the promotion of miscegenation, especially the white and negro variety, for decades. Kevin MacDonald’s [[Culture of Critique>>url:https://archive.org/details/CultureOfCritique]] implies this is a widespread Jewish compulsion, both conscious and subconscious, to dominate their enemies in spite of lack of physical numbers. By encouraging black and white sexual relations with the formulaic eroticization of ejaculation inside the vagina (in pornographer’s jargon, “creampie”), Jews are expecting life to imitate “art” once again, and for us to be bred out. This is in conjunction with them blaring to normal couples that this same exact sexual intercourse isn’t “cool” and men should ejaculate on a woman’s face/ear/eyes/anywhere except their vagina.

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This agenda is made even more overt with the porn term “breeding”, which features the same form of copulation. All of the results, without exception, were black men having sex with white women. The names of the videos had titles like “Black Breeds With White Girl”, “Black Makes Baby With White Bitch”, etc. Jews know what they’re doing is sick and wrong, and they revel in it.

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**Jews Invented The Myth of the Black Sexual Powerhouse To Psychologically Intimidate Men**

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Jews have created a Freudian society that encourages men to fixate on their genitalia as the be all end all of their masculinity. For this reason, the cherry picking of black porn stars for their extremely large penises is a political act. Virtually every interracial pornography film has the white female verbally reiterating how much bigger and better the black man’s equipment is, in order to make that segment of white men that watch these films to show they aren’t “racist” feel inadequate and demoralized. Furthermore, the black porn stars are always on steroids and very physically fit, and clever camera tricks make it seem like they can screw these women for hours on end without getting tired.

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The reality however, is very different. [[75% of blacks are overweight or obese>>url:http://stateofobesity.org/disparities/blacks/]], compared to 67% of whites. When it comes to penis size, African countries often come out on top, but their inflated numbers are the product of self-satirizing muhdik [[self-reporting>>url:http://www.womenshealthmag.com/sex-and-relationships/penis-size-around-the-world]]. When actually measured, there’s some shrinkage. A 2006 Nigerian study found that the average penis size was [[5.1 inches>>url:http://www.ncbi.nlm.nih.gov/pubmed/17191423]], while Tanzanians were on the lower side of the world’s average at [[4.5 inches>>url:http://pag.aids2012.org/abstracts.aspx?aid=10259]]. The average penis size of Italians, on the other hand, was found to be 6.19 inches and the Dutch at 6.24 inches.

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This myth seeks to both attack Aryan manhood and create imaginary incentives for women to defy their instincts, and go “coo coo for cocoa puffs”. Record numbers of [[women are now watching pornography>>url:http://www.dailymail.co.uk/femail/article-2507752/Over-half-women-regularly-watch-porn-daring-40-admit-making-own.html]] thanks to the anonymity of the internet, they are the real target of Jewish race-mixing porn producers (after black men). And while it still remains uncommon for white women to find black men attractive, Jews have spent generations creating tropes of limp-wristed whites and powerful, manly blacks, which are featured in caricatured forms together in the same scene of their porno films (“Cuckold” porn always features this). Some women are aroused by [[films of mating bonobos>>url:http://www.alternet.org/story/125140/bonobo_sex_and_%27ladyboners%27%3A_is_women%27s_desire_really_that_confusing]], so who knows?

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**Monkey See, Monkey Do**

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As the real facts show, white men aren’t generally watching interracial porn, as the prevailing baseless Talmudic myth purports. Looking through “Adult movie” web forums, whenever the topic comes up, the white males who watch it do so because they like the woman or because they want to show how they’re not racist. You’ll get one or two who say they get off on the humiliation or racial aspect, but they are often exposed as non-white trolls looking to get a kick in, not to mention the sample bias of people who would actually use their free time posting on a website like “Adult DVD Forum”.

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The prime consumers of interracial porn are black men. Anyone who lives in an urban environment will find that the people who disproportionately come out of pornshops tend to be black (many of them women), not embarrassed middle aged whites huddling in their trench coats. Eldridge Cleaver, a former member of the Black Panthers, spoke quite candidly about why black men are into degrading or raping white women in his autobiography Soul On Ice (1968):

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>“Rape was an insurrectionary act. It delighted me that I was defying and trampling upon the white man’s law, upon his system of values, and that I was defiling his women. I felt I was getting revenge. From the site of the act of rape, consternation spread outwardly in concentric circles. I wanted to send waves of consternation throughout the white race.”

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Jews have been correctly identified as the leaders of the major Left-wing black insurrectionary movements during the 1960‘s, the perspective from which Cleaver was speaking from and time period when he committed his serial rapes. TMZ tries to shame Alexis Texas for not being “color-blind”, but interracial porn, as Cleaver states, is where the Black politics of resentment and the Jewish politics of White Genocide intersect. This impulse to rape white women as “vengeance” can be even seen in the diary of slave rebellion leader Nat Turner:

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>“In my fantasies she began to replace the innocent, imaginary girl with the golden curls as the object of my craving, and on those Saturdays when I stole into my private place in the carpenter’s shop to release my pent-up desires, it was Miss Emmeline whose bare white full round hips and belly responded wildly to all my lust and who, sobbing would scream “MERCY, MERCY, MERCY” against my ear, allowed me to partake of the wicked and godless yet unutterable joys of defilement”(pg. 183, Confessions of Nat Turner)

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The power of pornography to covertly influence sexual habits has been demonstrated beyond all reasonable doubt . For example, in 1992, only 16% of women had participated in the practice of sodomy (“anal sex”). By 2010, after a titanic Jewish push for “anal sex” pornography enabled by the production cost-cutting power of internet streaming (thus, less popular forms of porn were not as big of a financial risk), [[32% of women had been sodomized>>url:https://www.cdc.gov/nchs/data/ad/ad362.pdf]] at some point in their life. Nothing is more irrational, disgusting, and unpleasurable than entering something clearly marked exit, yet look at how it has become a staple in so many bedrooms thanks ultimately to media social engineering. If the Jews can use their power to successfully market the human sphincter as sexy to a significant minority of people, what other feats can they reach?

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Just imagine the impact interracial porn movies meant to simulate black on white gang rapes, or giving blacks the impression that white women are desperate to sleep with them, have on young black men. Don’t forget the Jewish racial agitation of blacks against whites spoon-fed to them through Sumner Redstone’s BET or Jimmy Iovine’s Interscope Records, which rationalizes even the most random and bestial crimes against white people minding their own business that occur every day in countries like America.

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The only real conclusion we can deduce from the portrayal of blacks and whites in Jew porn movies is that they want black men to rape white women. I challenge anyone to look at the grotesque content of the typical interracial porn film and come up with an alternative explanation. There just isn’t one.

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**Racial Defilement: Not For Jews**

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You would think that what is essentially a Jewish dominated industry would feature more Jewish themed pornography. Jews mock their racial enemies by making porn featuring women in Hijabs, Bavarian costumes, Nuns, and sexual attacks on every ethnicity and religion you can think of. Jewish themed pornography, interestingly enough, is either quite rare or for all intents and purposes, non-existent. If the “taboo” of race-mixing is what gets these perverts off, why not make one with an Arab impregnating a Jewish woman? There have been one or two Jews who have sporadically tried to make Jewish themed porn, but always get vetoed by their bosses or are unable to find funding for their projects from the Jew-run corporations. This certainly is not due to lack of demand , according to an [[editorial by the World Union of Jewish Students>>url:http://www.jewishquarterly.org/issuearchive/articled325.html?articleid=38]]:

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>“There are thousands of people searching for Jewish porn. After things like Jewish calendar, Jewish singles, Jewish dating, and Jewish festivals comes ‘Jewish porn’ in the list of top search keywords that GoTo.com provide”

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This urgent situation is the real root of universal and perpetual anger towards Jews. The same demented psychology that supports racial Talmudism for Israel (Zionism) and ultra-liberalism for the West (every major Jewish organization shares this characteristic) likewise loves to defile “shiksas” while refusing to sully Jews (unless they’re pretending to be white Gentiles by changing their extremely Yiddish sounding names) themselves in the same fashion. The malicious behavior of Jews is bad enough, but what gets the torches and pitchforks out is their mind-blowing, egregious hypocrisy (chutzpah).

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Are they aware of it? I say yes.

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Praying for them won’t stop them, only getting the masses out in the street and calling them by name will.

== ==

== ==

== Media Ownership and Cultural Influence ==

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Jewish individuals have played leading roles in shaping Western media since the early 20th century. Founders of Hollywood’s original studio system—Paramount (Adolph Zukor), Warner Bros. (Jack Warner), Universal (Carl Laemmle), and MGM (Louis B. Mayer)—were almost entirely Eastern European Jewish immigrants. Their influence helped define the American cinematic imagination.

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In modern times, this legacy has expanded. Media empires such as:

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The New York Times (long owned and run by the Sulzberger family)

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CNN (founded by Ted Turner but later heavily influenced by Jewish executives)

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Disney (currently chaired by Bob Iger)

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Netflix, Amazon Studios, HBO (run or significantly shaped by Jewish leadership)

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…are often noted for producing content aligned with liberal cosmopolitan values, including strong advocacy for multiculturalism, anti-racism, Holocaust remembrance, and LGBTQ+ normalization.

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Critics argue that these values, while nominally universal, often correlate strongly with Jewish liberal sensibilities and that dissenting voices—particularly those critical of Israel, mass immigration, or progressive race ideologies—are systemically marginalized. The fact that these platforms dominate cultural messaging makes Jewish influence in media not just an issue of ownership, but of narrative control.

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== Lobbying and Organized Institutional Influence ==

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Beyond media, Jewish organizations wield considerable influence in public policy and lobbying. Key groups include:

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AIPAC (American Israel Public Affairs Committee) – One of the most powerful lobbies in Washington, focused on maintaining U.S. support for Israel.

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ADL (Anti-Defamation League) – Originally founded to fight antisemitism, the ADL has expanded to become a major actor in internet censorship, "hate speech" monitoring, and corporate DEI (diversity, equity, inclusion) frameworks.

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The Conference of Presidents of Major American Jewish Organizations – An umbrella group that coordinates political activity across dozens of Jewish institutions.

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These groups often act as gatekeepers of acceptable discourse on Jewish topics. AIPAC, for instance, is known for its ability to mobilize vast donor networks against U.S. politicians seen as insufficiently pro-Israel. The ADL has worked directly with YouTube, Facebook, and X/Twitter to regulate speech online, regularly branding ideological opponents as “extremists.”

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Critics argue that this lobbying apparatus exerts influence disproportionate to the Jewish population share and often blurs the line between national and ethnic interests. They also note that Jewish organizations are unusually effective at suppressing opposing viewpoints via terms like “antisemitism,” which can be extended to include criticism of Zionism or group power.

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== Censorship and Taboo Enforcement ==

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A defining feature of Jewish influence in the West is not merely presence, but protection. Discussion of Jewish power is uniquely dangerous, both socially and professionally. Writers, politicians, and even comedians who broach the topic often face career-ending accusations of hate.

Examples include:

Marjorie Taylor Greene, who faced condemnation for questioning Jewish-linked investment firms and vaccine narratives

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Kanye West, whose remarks on “Jewish control” led to universal deplatforming

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Dave Chappelle, who made jokes about Jewish media dominance and was accused of “punching down” despite being a black comedian

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What distinguishes these reactions is their intensity. No similar taboo exists when discussing “white privilege,” WASP elites, or Catholic influence. The ADL and other Jewish watchdogs have successfully defined criticism of Jewish power as inherently antisemitic—making it functionally unmentionable in mainstream forums.

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This taboo has a chilling effect on public discourse. Some Jewish writers have themselves acknowledged the issue. For instance, Peter Beinart wrote:

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“For decades, the Jewish establishment has downplayed Israel’s abuses and the power wielded in its name. That silence has become a liability.”

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Still, challenges to the narrative are often painted as conspiratorial, even when backed by data or stated in good faith. The result is an environment where real influence exists, but cannot be discussed without severe reputational consequences.

== Commentary ==

Jewish influence in Western institutions is real, measurable, and complex. It is partly a product of historical exclusion (which led Jews into finance and media), partly a reflection of cultural emphasis on literacy and ambition, and partly a modern extension of highly networked communal power.

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But influence without accountability creates distortion. The fact that such a small minority plays such a significant role in public discourse—while dissenters are punished—raises legitimate questions about fairness, transparency, and pluralism. The narrative that all such questioning is “antisemitic” serves as both shield and sword, preventing honest discussion and silencing critique.

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This does not mean Jews are collectively conspiratorial, nor that their success is illegitimate. But any power—especially cultural and financial power—deserves scrutiny. The refusal to permit that scrutiny, under threat of reputational destruction, only fuels resentment and suspicion.

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In a truly open society, Jewish contributions can be both celebrated and critiqued without fear. As it stands, the imbalance between influence and allowable discussion remains one of the most fraught tensions in Western political culture.

== See Also ==

[[ADL and Online Censorship>>Jewish Political Sway in the United States]]

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[[Media and Narrative Power>>Main Categories.Media Bias]]

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[[AIPAC and Foreign Policy>>Jewish Political Sway in the United States]]