Changes for page Jewish Influence

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40	40	* [[Reuben Sturman:>>https://en.wikipedia.org/wiki/Reuben_Sturman]] The ʻWalt Disney of Pornʼ, he controlled most of the pornography in circulation. Was said he WAS the industry.
41	41	* Steven Hirsch: The 'Donald Trump of Porn', runs [[Vivid Entertainment>>https://en.wikipedia.org/wiki/Vivid_Entertainment]]
42	42	* Greg Lansky: Founder of [[Vixen Entertainment>>https://en.wikipedia.org/wiki/Vixen_Media_Group]], which owns Blacked, the most popular interracial studio in existence. (Greg is not mentioned in the article but worth including) {{footnote}}Greg Lansky, Available at: https://en.wikipedia.org/wiki/Greg_Lansky{{/footnote}}
43		-* Most of the male actors were Jewish, including Ron Jeremy and Seymore Butts
44		-* Most of the female talent was Roman Catholic White girls.
	43	+* Most of the male actors were Jewish, including Ron Jeremy and Seymore Butts {{footnote}}Michael Jones in the magazine Culture Wars (May 2003) https://culturewars.com/volumes-21-30?category=2003+-+Vol.+22{{/footnote}}
	44	+* Most of the female talent was Roman Catholic White girls.{{footnote}} Michael Jones in the magazine Culture Wars (May 2003) https://culturewars.com/volumes-21-30?category=2003+-+Vol.+22{{/footnote}}
45	45	* Publications also had Jewish involvement, for example [[Al Goldstein>>https://en.wikipedia.org/wiki/Al_Goldstein]], owner of [[SCREW>>https://en.wikipedia.org/wiki/Screw_(magazine)#cite_note-Jewniverse-1]] magazine, known for its raunchy, obnoxious, usually disgusting and sometimes political  content. {{footnote}}Davis, Marc (November 18, 2013). "The Screw-y, Filthy World of Al Goldstein". Jewniverse. Retrieved November 20, 2014. https://www.jta.org/jewniverse/2013/the-screw-y-filthy-world-of-al-goldstein{{/footnote}}
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61	61	>written in these pages before, treyf signifies ʻthe whole world of forbidden sexuality, the
62	62	>sexuality of the goyim, and there all the delights are imagined to lie . . .ʼ {{footnote}}Reel Kashrut: Jewish food in film, JQ 189 [Spring 2003]). https://www.researchgate.net/publication/261694106_REEL_KASHRUT{{/footnote}}
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	64	+It continues:
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65		-Mainstream academic responses tend to downplay Jewish identity as a relevant factor. Still, even a brief examination of historical figures in the industry—such as Reuben Sturman (dubbed “the Walt Disney of porn”) or later digital-era producers—shows a disproportionate Jewish presence, similar to that seen in other media sectors. The issue becomes less about the fact of involvement and more about whether discussing it constitutes bigotry.
	66	+>According to one anonymous industry insider quoted by E. Michael Jones in the
	67	+>magazine Culture Wars (May 2003), ʻthe leading male performers through the 1980s
	68	+>came from secular Jewish upbringings and the females from Roman Catholic day
	69	+>schoolsʼ. The standard porn scenario became as a result a Jewish fantasy of
	70	+>schtupping the Catholic shiksa.
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	72	+And probably the most infamous of the quotes is contained here as well:
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	74	+>Extending the subversive thesis, Jewish involvement in the X-rated industry can be seen as a proverbial two fingers to the entire WASP establishment in America. Some porn stars viewed themselves as frontline fighters in the spiritual battle between
	75	+>Christian America and secular humanism. According to Ford, Jewish X-rated actors often brag about their ʻjoy in being anarchic, sexual gadflies to the puritanical beastʼ. Jewish involvement in porn, by this argument, is the result of an atavistic hatred of Christian authority: they are trying to weaken the dominant culture in America by moral subversion. Astyr remembers having ʻto run or fight for it in grammar school because I was a Jew. It could very well be that part of my porn career is an “up yours” to these peopleʼ. Al Goldstein, the publisher of Screw, said (on lukeford.net), ʻThe only reason that Jews are in pornography is that we think that Christ sucks. Catholicism sucks. We donʼt believe in authoritarianism.ʼ Pornography thus becomes a way of defiling Christian culture and, as it penetrates to the very heart of the American mainstream (and is no doubt consumed by those very same WASPs), its subversive character becomes more charged. Porn is no longer of the ʻwhat the Butler sawʼ voyeuristic type; instead, it is driven to new extremes of portrayal that stretch the boundaries of the porn aesthetic. As new sexual positions are portrayed, the desire to shock (as well as entertain) seems clear.
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	77	+Mainstream academic responses tend to downplay Jewish identity as a relevant factor. Still, even a brief examination of historical figures in the industry—such as Reuben Sturman (dubbed “the Walt Disney of porn”) or later digital-era producers—shows a disproportionate Jewish presence, similar to that seen in other media sectors. The issue becomes less about the fact of involvement and more about whether discussing it constitutes bigotry. The hypocrisy in it's discussion is clearly evident here, where jews openly celebrate their subversion of Western society whilst condemning us for daring to speak on our own destruction. It doesn't stop at pornography, as the very next line
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68	68	As part of the “Taboo Talks” series presented by the San Diego Center for Jewish Culture at the Lawrence Family Jewish Community Center in San Diego on May 8, 2013, Mike Kulich, the late jewish owner of Monarchy Distributors, one of the largest pornography companies in America, candidly revealed that Jews do, in fact, control and dominate every aspect of the pornography industry:
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70	70	{{expandable summary="Mike Kulich on Jewish Involvement in porn"}}